Back in 2017, a coworker of mine said she was relieved Marine Le Pen had lost the French presidential election to Emmanuel Macron – because ‘she wasn’t pretty enough’.
The sentiment threw me at first, and our break ended before I had the chance to press her much on what she meant, but the sentence stuck in my mind – and this class has been quite useful in understanding how exactly to situate it in history. It’s a sentiment which arguably tracks with the conservative/traditionalist gender roles discussed in this class, an idea that demands men act ‘as befits men’ and that women act ‘as befits women’, and allows transgression in one realm only if one’s ‘masculinity’/‘femininity’ is indisputably or exaggeratedly demonstrated elsewhere. Exceptions to the gender roles are bought through adherence to them.
This could mean the Nazi model described by Thomas Kühne, under which men were allowed ‘feminine habits’ like pushing their child’s stroller or demonstrating emotion only if they had proved their ‘masculine strength’ through their use of violence. Or it could mean, as I now understand my coworker’s framing, that Le Pen was not seen as having a sufficiently ‘feminine’ appearance to make up for the ‘masculine-ness’ of her political ambitions.
This framing of government as an inherently masculine activity, barred to women unless they meet whatever arbitrary and demanding metric of femininity elsewhere in their lives, has been dissected and lampooned elsewhere with much greater understanding, knowledge, and precision than I can put forth here (or, to be frank, anywhere). It’s a way to silence a demographic, to perpetuate the hold on power of certain groups, so on and so forth; it’s a tactic repeated far beyond the male/female faultline.
That rhetorical ploy to secure male hegemony over governance politics, though, has had interesting repercussions on the discourse regarding other forms of politics.
For one, the ideological tenet that of apolitical femininity left its believers incapable of adequately responding to the very political actions that some women undertook against them. Sofia Rodriguez Lopez and Antonio Cazorla Sanchez demonstrate this well in Blue Angels, where both the Republican and the Nationalist structures dismissed women as incapable of having political agency, despite the fact that said women were quite effective in supporting their sides.
In those cases where the women were punished for their dissidence, they were often framed as being the wives, sisters, or daughters of dissidents – justifying the participation of ‘apolitical women’ in these ‘political crimes’ by emphasizing their connection to men, and thus distancing them from that feminine apolitical ideal. This can also, in a sense, be seen in Hochst Höchst’s quote that she merited her position in modern Germany’s right-wing Alternative für Deutschland because “I could kill every man in the party” – in her interview with the Guardian’s Angelique Chrisafis, Höchst emphasizes her prowess in martial arts, reframing it as a ‘masculine trait’ that overrides her woman-ness sufficiently to legitimize her presence in traditionalist politics.
Another example comes in Wendy Lower’s Hitler’s Furies, and ties into some contemporary discussions. Culture is unarguably a form of politics, with heavy influence on who is ‘in’ and who is ‘out’, and the construction of societal discriminations based off those hierarchies. However, the power of culture in a political sense is that it comes off as completely natural – of course things are like this, of course we do things this way, of course power is distributed in this way, because that’s our culture! Given the important role of women in household and formal cultural education, though, as described by Lower, there is a tension between the obviously political (if subconscious) aims of this indoctrination and the allegedly-apolitical nature of women put forth by that ideology. And for a long time, regimes built on the idea of feminine apoliticism insisted that no activity so dominated by women could be political. Nowadays, though, that blinder is being pulled back, and culture is being exposed to political dissection and contestation on a greater scale than previously possible – no longer shielded by some traditionalist myth that women are innately apolitical.