By: Vincent Larocque
In this weeks reading and Youtube video had the idea of remaking and reworking the perceptions of the image of the average Italian as well as the Italian state itself.
In “Conquest and Collaboration” in Fascist Modernities: Italy by Ruth Ben-Ghiat observed the attempted creation of the new Italian “no longer becoming, but IS a soldier” amongst other ideals set forth by Mussolini and the Italian Fascist government. The theme of of renewal or change is present in the article as Italy was undergoing a type of identity crises all the while seemingly copying and trying hard to relate to the Nazi regime in Berlin. Mussolini and other Italian Fascist were off put by the Nazi’s bid to become the undisputed rulers of the “new Europe” and Italian fascists grew alarmed at the unequal relationship between Berlin and Rome since they considered themselves to be equal. As such, this accelerated the idea of Italians to become “a race of hard edged conquers” and even more alarming were the 1938 racial laws that sought to define Italians as Aryans by instituting a campaign of cultural reclamation (bonifica della cultura) and copying anti-Jewish measures for Mussolini’s plan of Italian “Aryanization” to overcome the national inferiority complex.
The idea of the “New Italian” is also present in the video presented of the week “Italian Fascism’s Empire Cinema” where Italian cinema at this time reinforced Fascist racial and labour policies. The Italian style cinema, which has been compared to 1930’s Soviet realism, focuses on the “new man’ archetype where it is centered around the Italian male and has heavy connotations to Italian colonialism. Through film and because Italian colonial holding are not as historical and mostly new reflected a way to disengage audiences with domestic troubles, “don’t worry about what is going on at home when we are trying to re-create the Roman Empire” and through the cinematic experience of idealizing the Italian male, it could create a colonial history and behavior that reflects all the ideals of Fascist Italy.
Ruth Ben-Ghiat, “Conquest and Collaboration” in Fascist Modernities: Italy, 1922-1945
(University of California Press, 2004), pp. 123-130.
Ben-Ghiat, R. (2015, April 9). Italian Fascism’s Empire Cinema. New York University. Retrieved from https://www.youtube.com/watch v=ZbFFLXVvtXc&ab_channel=CasaItalianaNYU