By Absalom Sink
The protests of 1968 are often held up as the apotheosis of the New Left—to borrow from Hunter Thompson, the “high water mark[…] where the wave finally broke and rolled back”—as the student activism that undergirded them generally failed to meet their revolutionary aims. But as this week’s readings make clear, 1968 also served as a critical inflection point in the trajectory of the ultranationalist right: the French protests of May ’68 provided a crucial impetus for the genesis of a French, and later transnational, “New Right.”
Tamir Bar-On’s “Transnationalism and the French Nouvelle Droite” examines the ideological influences Alain de Benoist’s ‘Nouvelle Droite’ (ND), and the factors that allowed it to transcend national boundaries and become a transnational cultural and metapolitical movement. Bar-On predicates the ND’s success on the prolific output of its ideological architect, de Benoist, on the movement’s ability to metamorphose following the collapse of the Soviet Union in 1991, and its adoption of Gramscian hegemonic theory. The latter stems from de Benoist and his fellow travelers’ “hatred and envy for the [left] 1968ers”: the mass-mobilization of leftist activists and students had shown the radical right the extent to which left-wing politics had captured “hearts and minds”. The goal of the ND, then, was to “regain cultural power from the liberal left by regaining the ‘laboratories of thought,’” that is, through the creation of a web of think-tanks, journals, conferences, and by carving out spaces in universities sympathetic to ND discourse.1
Key to this right-wing neo-Gramscianism was a necessity for transmission and adoption of ND ideology and ethos beyond France. After all, communism, egalitarianism, socialism, liberalism all would continue to exist outside France even if ‘defeated’ within France, and thus might reenter the French cultural discourse. The fight would need to be transnational in order to succeed.2 The attempt to export ND abroad met with varying levels of success; Richard Marchi’s “The Nouvelle Droite in Portugal” argues that Portugal’s Nova Direita “seemed influenced less by the content and more by the methods of the French ND,” and adopted ND tactics like Gramscianism, while eschewing aspects like the ND’s anti-Christianism.
With all that said, it is crucial to recognize that even the French ND is not a static entity; rather, it is a metapolitical chameleon, changing its colours to camouflage its ideological underpinnings within the broader politico-cultural discourse. At core, the New Right is a “transnational ideological cocktail,” a chimera born from disparate parts, and everchanging to match the prevailing political conditions in such a way that it can always be tugging the discourse to the right.
1This right-wing Gramscianism has been reflected again in recent years in alt-right and far-right discourse about shifting the “Overton Window”
2 Similarities to Italy’s attempt to export fascism in the interwar years is not coincidental; as both Bar-On and Roger Griffin make plain, the self-described ‘superfascist’ Julius Evola was a key ideological influence on the French ND.
Riccard Marchi, “The Nouvelle Droite in Portugal: A New Strategy for the Radical Right in the Transition from Authoritarianism to Democracy,” Patterns of Prejudice 50, no. 3 (July 2016): 232–52.
Tamir Bar-On, “Transnationalism and the French Nouvelle Droite,” Patterns of Prejudice 45, no. 3 (July 2011): 199–223.
Roger Griffin, “Between Metapolitics and Apoliteia: The Nouvelle Droite’s Strategy for Conserving the Fascist Vision in the ‘Interregnum,’” Modern & Contemporary France 8, no. 1 (Feb. 2000): pp. 35–53.
Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (New York: Random House, 1972)